Although commonly regarded as the finest living vigneron in Beaujolais, Yvon Métras remains surprisingly elusive, and much less visible than contemporaries like Foillard, Lapierre, or Breton. His wines rarely leave Europe, and when they do they are fiercely allocated. An enigmatic figure who famously refused to export to the US (too much paperwork), and keeps the finer details of his winemaking closely under wraps, Métras nonetheless casts a long shadow over modern wine.

Métras began making wine under his own name in the late 1980s, after years at a nearby cooperative and mentorship from Jules Chauvet, the so-called ‘Godfather of Natural Wine’. Inspired by Chauvet and peers like Lapierre, he embraced traditional, non-interventionist methods at a time when high-volume, industrial practices dominated Beaujolais. Semi-carbonic fermentation with whole bunches, native yeasts, gentle élevage, and minimal sulphur are hallmarks of his approach, producing age-worthy, profound wines that helped rehabilitate the reputation of Beaujolais.

His vineyards include some of the oldest in Fleurie, with plantings stretching back to the late 19th century, all worked by hand. In 2014 his son Jules joined him full time. The wines themselves are laser-precise, balancing extraordinary concentration with a lightness and clarity that feels almost unexplainable. While unmistakably Gamay from Beaujolais, they're also idiosyncratic and singular, and unmistakably Métras. 

We're thrilled to have sourced three vintages of his Fleurie 'Vieliles Vignes' - 2017, 2019 and 2020, here in New Zealand for the first time ever! For those with an interest in Beaujolais, or just very, very good wine, this is a rare chance to check out the work of an elusive master.

2019 Fleurie ‘Vieilles Vignes’

Sourced from Métras’ oldest parcels in La Madonne and Grille‑Midi, including Gamay vines planted in 1898. The 2019 vintage in Beaujolais was considered 'outstanding', and it's evident here in the wine's energy. Red cherry, raspberry and redcurrant on the nose, along with violet and wild herbs. On the palate, the fruit is electric and finely detailed, with pure raspberry, strawberry, dark cherry, violet and peony. Fine‑grained tannins and bright acidity provide tension and drive, finishing long and mineral. We recommend time in decanter to reveal further complexity.